Open the HSL/Grayscale panel and turn on the Convert to Grayscale checkbox. There are no right or wrong color choices here, but complementary color combosâ”orange/blue, yellow/purple, green/redâ”work well. Step One: Split-toning introduces creative color by remapping shadows to one color (usually dark) and highlights to another (usually light). Tip: To add the adjustment to an area outside the dotted lines, put the Brush in add mode by clicking the button labeled here and then click-and-drag across that spot. Step Three: To hide the adjustment from an area, click the Brush radio button and then click-and-drag across that area. Use the Exposure, Contrast, Highlights, Clarity, and Saturation sliders to adjust the sky to your liking. With the tool selected, drag across the area that needs fixing (Shift-drag to constrain the filter to be perfectly horizontal or vertical). It's handy for fixing overexposed skies because the change is applied gradually across the area you drag over. Step Two: The Graduated Filter tool (G) lets you apply adjustments like a real graduated filter that screws onto the end of a lens. To straighten both vertical and horizontal lines in your image, click the Auto button. Step One: The Upright feature in Camera Raw can quickly fix the perspective in your image. Step Four: Turn off the Mask checkbox (if it's on) and adjust the Clarity slider to your liking. Tip: Turn on the Mask checkbox at lower right to view brushstrokes as a white overlay, and use the Left and Right Bracket keys on your keyboard to decrease and increase the brush size, respectively. If you paint across an area that you don't want softened, Option-click-and-drag (PC: Alt-click-and-drag) to put the brush in erase mode. Press K to grab the Adjustment Brush, and click the minus icon to the left of Clarity twice to set the panel's sliders to 0 and Clarity to -50. Step Three: To soften skin, use a negative Clarity adjustment. To boost colors, use the Vibrance slider. #ADOBE CAMERA RAW TUTORIAL VIDEO SKIN#To increase contrast in the midtones, drag the Clarity slider rightward (avoid this on portraits as it emphasizes skin texture). If bright blue warnings appear, indicating underexposed shadows, lighten the Shadows or Blacks slider (or both). If bright red warnings appear, indicating overexposed highlights, try darkening the Highlights or Whites slider (or both). Adjust Exposure and Contrast to your liking, and use the next four sliders to adjust detail in highlights and shadows. Step Two: Press U and O on your keyboard to turn on the shadow and highlight clipping warnings, respectively, which outlines their icons in gray. Keep clicking until the image looks good to you, and then adjust the Temperature and Tint sliders, as needed. When they're similar, click to reset the white balance. As you move your cursor, note the RGB values below the histogram. Press I to grab the White Balance tool and locate neutral white or gray pixels. Step One: The Basic panel in Camera Raw has streamlined, slider-based controls for easy color correction and a handy tool for resetting the white balance. Basic Color Correction and Softening Skin Make your changes, choose File>Save, and then close the temporary document. Tip: To access layers you've tucked into a smart object, double-click its layer thumbnail and Photoshop opens them in a temporary document. Once you close the filter, you can reopen its dialog by double-clicking its name in the Layers panel. Next, choose Filter>Camera Raw Filter in any version of Photoshop CC. Photoshop tucks them into the protective wrapping of a smart object. For multilayer documents, click the top layer to make it active, Shift-click the bottom layer to select them all, then choose Filter>Convert for Smart Filters. Choose File>Open as Smart Object or, if the image is open and has one layer, choose Filter>Convert for Smart Filters. In this column, you'll learn seven reasons to summon the Camera Raw filter in Photoshop CC.įirst, prepare the image to use the Camera Raw filter nondestructively. However, if you don't shoot in RAW format, you might not think to use it. The Adobe Camera Raw plug-in, used to convert RAW images into pixels Photoshop can understand, is an incredibly powerful yet easy-to-use editor.
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